Gabriela Ligenza launches 3-D printed hats for Ascot

These stunning 3-D printed hat designs by Gabriela Ligenza caught yours truly by surprise! Design thinking like this lightens our step and inspires a smile. We love Gabriela’s work. Molecule becomes an instant fan!

Interview by Dezeen Magazine. Re-posted June 20, 2014

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Milliner Gabriela Ligenza, who originally trained as an architect and interior designer, has launched a collection of 3-D printed hats to coincide with British horse racing event Royal Ascot.

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Ligenza, who has previously worked with artisans and bespoke textile makers, has now collaborated with leading 3D designers to create her 2014 Autumn / Winter collection.

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Working with such a cutting edge technique as 3D printing has allowed me to create what was previously impossible with traditional millinery,” Ligenza told Dezeen.

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Her collaborators in the project included with mathematical art scholar, Francesco de Comite from the Lille University of Sciences and Technology, digital animator and storyteller Joaquin Baldwin and Adam Mellotte from Inner Leaf who provides 3D modelling services for the fashion and TV industries.

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While a wide range of materials can be used in 3D printing, in this case the large size of the hats limited the choice of materials to nylon and stainless steel. Nylon was the obvious choice due to its lightness, flexibility and ability to hold fine details.

Gabriela Ligenza 3-D printed hats

One hat in the collection, commissioned by Great British Racing, incorporates a poem written for the Royal Meeting by racing poet Henry Birtles. Another, a wedding hat, is made from the words of John Tessimond’s poem Day Dream. Adam Mellotte translated the designs into a printable file, exchanging ideas and test versions with Ligenza via email and Skype.

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Other hats reference forms and mathematical formulae found in nature, including cardioids, nautilus and mobius strips.

Gabriela Ligenza 3-D-printed hats

With clever balance, old and new crafts and techniques can exist in harmony. Technology, when applied correctly, needn’t conflict with centuries old art forms,” said Ligenza.

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The designer has also worked on the adaptation of a mathematical art piece by Francesco de Comite into a Cirrus hat, collaborating over email, Skype and through visits to Lille University in person. “This is definitely something I’m going to continue,” she said.

About Adriana Siso

Adriana Siso launched Molecule Design in September 2010, in Santa Fe, New Mexico. Molecule is the extension of a previous furniture design store that was founded in 2003 as an expansion on a career in fine art, which she pursued for more than 30 years.

She brings her talents and uncompromising quest for practical and original products to the world of home furnishings and space design. Molecule carries contemporary industrial designer products that are approachable, remarkable, cutting edge, made to last, life enhancing, sometimes irreverent, and timeless.

Later in 2006, Adriana started the process of conceiving the new showroom space that would house the store. Partly sustainable, the structure was built out of 11 recycled 40′ cargo containers. Completed in December 2010, it became the first cargo container building in Santa Fe, New Mexico.

Always an explorer, Adriana loves to engage in the realms of discovery and innovation. InContext/Molecule Design’s Magazine, launched in December 2011, is the venue where she collects the great stories of creative thinkers, who in our current state of affairs, sometimes under great pressures and working outside the realm of imposed standards, achieve the impossible. It has been known that in times of great crisis, design flourishes. It is Molecule’s mission to show this light.

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